Seven Up!

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

7 Plus Seven

After a 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

56 Up

When a cross-section of seven-year-olds were interviewed for 7 Up in 1964 it was immediately evident that their social backgrounds influenced their attitudes towards life. While the upper class children were confident and self-assured, those from middle and working class backgrounds were resigned to a challenging life of hard work. This premise was put to the test every seven years when the same group were interviewed about the progression of their lives. 49 years in the making, the changes that occurred to the original 14 make for fascinating television and are in many ways the stories of all our lives. From success and disappointment, marriage and childbirth, to poverty and illness, nearly every facet of life has been captured on film. Now, at the age of 56, the group are once more brought together and, with the benefit of hindsight, assess whether their lives have been ruled by circumstance or self-determination.

The Braceros, An Oregon Experience

World War II created a huge demand for American farm products. But the war also caused vast numbers of farm workers to abandon the fields, either to join the military or to seek work in the cities. The solution would be a unique contract-worker agreement between the United States and Mexico -- The Bracero Program.

Below the Belt

A groundbreaking film examining the challenges people with endometriosis are facing. There is no known cure for this disease and often patients undergo several surgeries in hope of some relief.

Notes and Images From the Vietnam War

Here's a film for high school students and their teachers about the history of the Viet Nam War, composed of just photographs from that war, narration and, to help us through a damned disheartening story, lots of the Bach Suite for Solo Cello #1 in G. The film is 45 minutes long––perfect for classroom use and repeated screenings by stu-dents on their own. It's my response to the flawed Ken Burn/Lynn Novick 18-hour PBS series, The Vietnam War... too long for the classroom and failing in many ways as a useful account of the tragic Viet Nam war. It’s free to stream or download the film from this website, so teachers, help yourselves. I’ve also provided a curriculum, produced by the Zinn Education Project’s Rethinking Schools for teaching this film, and some additional useful writings for understanding the Viet Nam War.

UFO Endgame to Disclosure

Now that the Department of Defense acknowledges that the UFO phenomenon is real, what does that really tell us? Award-winning documentary filmmakers Blake and Brent Cousins who brought you "Countdown To Disclosure" and "Above Top Secret" now bring you the latest shocking film, "UFO Endgame to Disclosure," and travel across America to speak with the top experts regarding the cosmic cover-up to reveal the secret technology that can change the world. Dr. Steven Greer comes forward with explosive information about the deadly game of suppressed technology that could eliminate the need for fossil fuels and save our planet from ultimate destruction.

The Real Spies Among Friends

Documentary telling the real story of the Cambridge Spies - subject of the drama series A Spy Among Friends.

My Chemical Romance - In the Studio

My Chemical Romance recording their debut album "I Brought You My Bullets, You Brought Me Your Love" with producers Alex Saavedra, Geoff Rickly and John Naclerio at Nada Recording Studio in 2002.

Say My Name

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

KANDYTOWN LIFE

The Language of Our Dreams – The Conductor Teodor Currentzis

“The most important work doesn’t take place on stage, but everywhere else,” Teodor Currentzis is convinced. And that is precisely where this film portrait follows him. For eight months, German director Andreas Ammer accompanied the charismatic conductor. He observed him in rehearsals with the SWR Symphony Orchestra, which Currentzis leads as chief conductor since 2018. He has visited him at his former place of activity in Perm, where he led the opera house from 2011 to 2019 and launched his career through meticulous work with his ensemble musicAeterna. He accompanied Currentzis on guest performances and had numerous conversations with him. The result is a many-faceted portrait of the impressive musician, who sees his profession also as a spiritual mission.

Canada Vignette: Erik Davidson - Mechanic

A short film in the Canada Vignette series. A cinematic portrait of a blind auto mechanic.

Currentzis – The Classical Rebel

For many, the Russian city of Perm might seem like the end of the world, isolated in the foothills of the Ural mountains. But it is in this rapidly developing industrial city – which is establishing itself as one of Russia’s modern cultural centers – that the Greek conductor Teodor Currentzis has been quietly revolutionizing classical music with his ensemble musicAeterna. The film follows the recording sessions of Mozart’s Don Giovanni, documenting the artists’ habits and painting a portrait of this exuberant conductor.

Douro - Symphony of a river

From high up in the glacier-carved mountains of Northern Spain, towards the Atlantic Ocean in the cities of Porto and V.N.Gaia in Northern Portugal. A journey through a river and through sound.

Tenho Receio De Teorias Que Não Dançam

Can a transvestite produce theory? This short film, recorded in the villages of Santo André and Guaiú, in the south of Bahia, features the text and performance of performer and teacher Dodi Leal, who presents a vision of embodied knowledge production based on a brief narrative of her artistic work. 'I'm afraid of theories that don't dance' indicates the deep relationship of the trans body with environmental art, investigating the movement of gender in the mangrove, the vivification of river thought and dance flows of the sea. The concepts dance and vibrate as the binarism of body versus nature is broken.